Puppet Frame

A mobile stage is covered with cloths, concealing the men inside, who move the stage across the dance area. Fitted in front with a wooden animal head (an antelope or buffalo mask), the stage itself is a large puppet. The performances are organized by the village youth organizations, kamalen ton. Sogobò (“animals come out”) is a series of up to twenty discrete performative sequences, with short intervals of song and dance. Puppets are divided into merekun (large rod puppets) and maani (smaller figurative forms), joined together as ensembles. The puppet heads or figures poke out from the top of the cloth frame, and are made to twirl and dance. The puppets and masks depict animals, fantastic creatures, hunters and characters from village life. Short performances lasting between five to ten minutes focus on themes of family and village rivalry, jealously and unity, as well as masculine values and their identification with hunters. Bamana farmers and Bozo fishermen participate together in these performances now, but the oral tradition suggests puppet theater originated with the Bozo.

Tchuemegne purchased these 20th century Sogobò puppets, textiles and frames (3420/79-100) from Mr. Amadou Fantasa, an elder from the village of Markala in central Mali, in 2019. Fantasa recalled that the puppets had been used in the biannual festivals marking the beginning of the rainy season (June), and related agricultural and fishing activities, and at the start of the dry season (Oct) to signal the coming of the grain harvest. He said the puppets had been in use from 2012-2016, but after that they were in storage. The "coming forth of the masks and puppets in Markala", frequently refered to as "Marakala Sogobò" or "Dobò", is now inscibed on UNESCO's List of Intangible Cultural Heritage.

Puppet frame (or mobile stage) made of bamboo sticks tied together with strips of old tire rubber, in an arch-shape. (Would be used with a puppet head, 3420/79 or 81, and a textile cover, 3420/80 or 82.)