gyaaGang (Model Totem Pole)
About this object
History of use
Argillite carving is an indigenous Haida art which began in the early 1800's after contact with Europeans as a form of tourist art. The market for argillite remained constant while other aspects of culture succumbed to pressures of acculturation and disease. Recent art history studies have found that the images and themes of the argillite poles change over time reflecting the changes occurring within the native communities.
Cultural context
tourist art
Iconographic meaning
Characters on the model poles are often of natural forms. However, to recognize these forms is not to "read" them. These characters and their interrelationships were sometimes meaningless and other times reflected a complex statement with many levels of cultural meanings which are often only known by the artist who created them.
Physical description
Carved argillite, miniature totem pole with flat back. The pole is rectangular in shape with a slight taper at the top and is seated on a rectangular, black base. The figures from top to bottom: an otter holding onto a four ringed potlatch post that sits a top of an owl. Base is glued and dowelled onto post.
Materials