Baby Owls

Contemporary Inuit prints were first produced at Cape Dorset in 1957. Although precursors to printmaking can be seen in women's skin applique work and in men's incising of ivory, stone and bone, the impetus for printmaking was as a commercial venture. This venture was established jointly by Inuit artists and John Houston, the civil administrator for Cape Dorset. Other Inuit communities quickly followed the commercial success of Cape Dorset's West Baffin Eskimo Cooperative. Printmaking developed as a communal activity following a Japanese, rather than a Western, model of serigraph production. Each year the cooperatives produce a series of limited edition prints which are sold in the retail art market. In 1965, the Canadian Eskimo Arts Council was established from the Canadian Eskimo Art Committee to ensure high standards were maintained. Printmaking, along with stone carving, provide cash income for communities which have undergone rapid and significant change, during the late 20th century, from traditional hunting based societies to settled communities dependent on consumer goods. The prevalent images depicted in Inuit art are of traditional life, arctic animals and mythology. Recently, contemporary subjects have been depicted by a minority of artists.

contemporary art

Print depicting three front-facing baby owls with their wings slightly raised. Their bodies are black with an overall white triangular pattern, their legs and feet are black, and their faces are white with black eyes and beaks. Below the image is written, "Baby Owls 6/50 Cape Dorset 1973 Jamasie." The names of the artist and printmaker are printed in Inuit syllabics along with the Cape Dorset Co-operative red igloo seal in the bottom right-hand corner of the image. The Canadian Eskimo Arts Council blind embossed stamp is in the bottom right-hand corner.