Rod Puppet

About this object

History of use

A mobile stage is covered with cloths, concealing the men inside, who move the stage across the dance area. Fitted in front with a wooden animal head (an antelope or buffalo mask), the stage itself is a large puppet. The performances are organized by the village youth organizations, kamalen ton. Sogobò is organized into a series of up to twenty discrete performances separated by short intervals of song and dance. Puppet ensembles include balanin fola (small rod puppets), merekun (large rod puppets), Yayoroba (beautiful women), and maani (smaller figurative forms). The puppet heads or figures poke out from the top of the cloth frame, and are made to twirl and dance as they tower above the stage. The puppets and masks depict animals, fantastic creatures, hunters and characters from village life. Short performances focus on themes of family and village rivalry, jealously and unity, as well as masculine values and their identification with hunters. Bamana farmers and Bozo fishermen participate together in these performances now, but the oral tradition suggests puppet theater originated with the Bozo.

Narrative

Tchuemegne purchased these 20th century Sogobò puppets, textiles and frames (3420/79-100) from Mr. Amadou Fantasa, an elder from the village of Markala in central Mali, in 2019. Fantasa recalled that the puppets had been used in the biannual festivals marking the beginning of the rainy season (June), and related agricultural and fishing activities, and at the start of the dry season (Oct) to signal the coming of the grain harvest. He said the puppets had been in use from 2012-2016, but after that they were in storage. The "coming forth of the masks and puppets in Markala", frequently refered to as "Marakala Sogobò" or "Dobò", is now inscibed on UNESCO's List of Intangible Cultural Heritage.

Physical description

Female figure puppet with movable arms at the sides, and long even fingers. The figure wears a long orange, black and off-white patterned tunic with exposed breasts that extend straight out through the tunic. She has painted bright yellow skin, a long defined nose, strong brow ridge, circular white and black eyes, and thin rounded black eyebrows that extend up into three lines. The figure wears a black circular headdress at the back of their head, decorated with red and white dots, gold-coloured metal studs, and tufts of gold fibres. There are three rings painted around the long neck - white, red and green. The figure lacks legs. Operated by three rods - a main rod for the body, and two for moving the arms.