səl̓səl̓tən (Spindle Whorl)

About this object

History of use

Homer Barnett (1955) notes that spindle whorls used by the southern Coast Salish of British Columbia are larger than those used in the north, with a shaft that is twice as long as the whorl. In the north, fibres were spun on smaller whorls that were "twirled between the leg and palm (1955:118)." By contrast, whorls such as this one were used to spin fibres that were suspended from overhead. This arrangement created a tension in the roving. Johnson and Bernick (1986) report that traditionally several different techniques were used for turning the spindle, however, contemporary weavers now make use of a spinning machine that is similar in appearance to a treadle sewing machine.

Narrative

This spindle whorl is a reproduction of an older spindle whorl. It was purchased at Koksilah, circa 1959. The original nineteenth century spindle whorl, on which it was based, is in the collections of the Royal British Columbia Museum (2454).

Cultural context

weaving; spinning; guardian spirit complex

Iconographic meaning

The design features a human figure depicted with an open mouth and upraised arms. Encircling the figure are two animal figures which may represent guardian spirits. This design is an adaptation of an older spindle whorl and the artist has chosen to depict the animals as wolves, which are associated with skill at hunting. The animals have been interpreted by other contemporary Coast Salish artists as lizards and sea otters.

Specific techniques

According to the collector this piece was made out of pine wood, and a bandsaw was used for the edges.

Physical description

Round carved wooden spindle whorl with central hole. The front has a carved face with a raised mouth, which is the highest part. The central hole is incorporated into the design, creating the open mouth of the face. There are also two animals (wolves) carved around a human figure sitting with its arms and legs open. The front surface is stained (or waxed) and polished, and has chisel or adze marks on the surfaces surrounding the raised figures. Inscription engraved on back: "Cicero August Cowichan Band Duncan B.C.".